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Stratificata is built on the idea of layers — not ornament layered over ornament, but color layered over restraint.
Where Intreccio is intricate and radiating, Stratificata is composed and architectural. Broad hand-brushed rims — in saturated red or mineral teal — frame a luminous white field. A single floral rosette anchors the center. The composition is deliberate: strong perimeter, quiet interior.
The brushwork is visible. The pigment moves slightly under the glaze. The surface carries subtle variation. Nothing is printed. Nothing is uniform. In traditional majolica from Deruta, borders often carried the weight of decoration. Stratificata distills that idea — allowing color to hold the structure while the center breathes.
It was curated to ground the table and to support more intricate designs layered above it. A Stratificata charger beneath an Intreccio dinner plate. A bold rim framing a more detailed bowl. The artisans pursue balance and symmetry.
Stratificata is built on the idea of layers — not ornament layered over ornament, but color layered over restraint.
Where Intreccio is intricate and radiating, Stratificata is composed and architectural. Broad hand-brushed rims — in saturated red or mineral teal — frame a luminous white field. A single floral rosette anchors the center. The composition is deliberate: strong perimeter, quiet interior.
The brushwork is visible. The pigment moves slightly under the glaze. The surface carries subtle variation. Nothing is printed. Nothing is uniform. In traditional majolica from Deruta, borders often carried the weight of decoration. Stratificata distills that idea — allowing color to hold the structure while the center breathes.
It was curated to ground the table and to support more intricate designs layered above it. A Stratificata charger beneath an Intreccio dinner plate. A bold rim framing a more detailed bowl. The artisans pursue balance and symmetry.